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Definite Descriptions with Crossing Coreference: A study of the Bach-Peters Paradox
Definite Descriptions Crossing Coreference Bach-Peters Paradox
2015/6/18
Definite Descriptions with Crossing Coreference: A study of the Bach-Peters Paradox.
THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES
THE PRELUDES BACH’S UNACCOMPANIED CELLO SUITES
2014/10/20
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four mus...
J.S. Bach's Prelude and Fugue in E Flat (BWV 552,1/2): An Inspiration of the Heart?
Butler catechism chorale fughetta Luther
2010/3/29
The influence of Luther on J.S. Bach was unimaginably profound: Bach's library contained at least two expensive collected editions of Luther's writings, and many more volumes besides. This essay exami...
Bach's Prelude, Fugue and Allegro for Lute (BWV 998)：a Trinitarian Statement of Faith?
Fugue Allegro Lute Faith
2009/10/16
It is now widely acknowledged and accepted today that in the realm of his sacred music J. S. Bach was deeply influenced not only by the liturgy of the Lutheran Church but also by the writings of Marti...
Discrete Fourier Transform and Bach’s Good Temperament
temperament tuning Fourier transform Lehman J.S. Bach Wohltemperierte Klavier
2010/3/24
The statement by Bradley Lehman that the scribble at the beginning of the first page of the WTC shows how J.S. Bach tuned his harpsichord is much disputed. The use of a mathematical and rather abstrac...
Photo Paul Kolnik
Music
Keyboard Concerto No. V in F minor by Johann Sebastian Bach
Choreography
Peter Martins
Premiere
May 8, 2002, 2002 Diamond Pr...
Choral Variations on Bach's "Von Himmel Hoch"（图）
New York City Ballet Choral Variations on Bach's "Von Himmel Hoch"
2008/6/25
Photo Martha Swope
Music
for mixed chorus and orchestra (1956); variations on Bach’s treatment of "Vom Himmel Hoch" in his Christmas Oratorio (1734) and his Canonic Variatio...
Publications in Linguistics by Emmon Bach.
A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F Minor Fugue from WTC I
3-D geometry animation J.S. Bach David Lewin inversion voice-leading Cohn flips
2010/3/24
Music theory has long benefited from the use of visualizations to demonstrate analyses. This article presents one example of how music theorists might implement contemporary methods in graphic design ...
Glenn Gould’s “Constant Rhythmic Reference Point”: Communicating Pulse in Bach’s Goldberg Variations, 1955 and 1981
meter perception beat perception performance Gould Goldberg Variations
2010/3/24
Glenn Gould’s recording career is bookended by his 1955 and 1981 recordings of Bach’s Goldberg Variations. Gould discussed these two performances at some length during interviews around the time of th...
Some tonal compositions impart impressions of purely musical drama not readily revealed by Schenkerian analysis alone. Arnold Schoenberg's concept of musical problem, a component of his notion of musi...
Review of David Yearsley, Bach and the Meanings of Counterpoint
Bach counterpoint musicology 18th-c. culture
2010/3/25
[1] About thirty years ago I attended a lecture in which Bach's experience as a Latin teacher was adduced to show that he would have been aware of rhetorical strategies and used them in his music. I w...